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IGM Architectural Design Office
2-18-17, Yabutanaka, Gifu-shi, Gifu
TEL. 058-274-1448
FAX. 058-274-1446

1.Building design, control
2.House commercial facilities, apartment complex, Japanese-style building
3.First class authorized architect office
■Governor of Gifu registration 8351

 

Open house N, Guesthouse

Toppage > Open house N, Guesthouse

Building whole view

Building southeast side
The wall surrounding the site assumes it an earthen wall-like design,
Arrange a curve for the linear inside; and the softness
I express it.
 
Point to the setback as 2M from a front road
It prevents you from feeling a feeling of coercion.
 
The crown tile of the wall is special order size.
The stone wall looks at hoseki of the Mino stone.
 
The boarding fence of the central part is hope of the client
In reference to a design of Ise Grand Shrine.
 
Building southeast side night view
The approach light on Ishigaki
A work of an iron writer.
The building west
The western wall creates superficial irregularities
I give a change.
 
In the hole without circle,
Stained glass (glass to use for stained glass)
I fit this.
 
The western side gate
The western side gate
I secure the carriage porch.
Fireplace ridge

The appearance

Fireplace ridge facing to the west
The roof is cedar board (redness) scouring rush (scouring rush) roofing
The ridge is copper sheet tile stick (circle stick) roofing
The lower eaves of a house dobanichibunji* (cover a corner mawashi)
I look at the ridge with the fireplace from a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
I look up at the fireplace ridge from the approach of the earthen wall.
 
I establish pitch differences and 0,5 - 2M on the site
I give the approach passage a change.
 
I look at the east side open veranda from a western open veranda
The lower eaves of a house assume it dart shape flight of wild geese form and support it with migaki log.
Makeup Noji using the Tal tree of migaki log,
I wore it with a free-standing tea ceremony room-like design.
Open veranda of the chestnut tree
I use a chestnut tree for a floor and the wood paneling of the open veranda.
I fit sarashi bamboo in a room with a wooden floor.
Fireplace ridge evening landscape
I see the evening landscape of the fireplace ridge from the front gate inside

The entrance

The entrance
It is an inner court in the front right
Of one piece of board of tochi entering the fireplace room to the left hand
I see a sliding door
It is the water bowl of the Ena rust stone on the entrance entrance right
On the entrance entrance right hand
I see the water bowl of the Ena rust stone
Entrance sliding door
Entrance entrance carriage shoji
Overdoor shoji
A decoration shoji is incorporated in the side wall.
I turn, and flat bamboo creates the softness.
Entrance dropping case
A top plate of the dropping case is one piece of board of the zelkova mook

Fireplace room

Fireplace of the plaster coating
I established the step on the floor to surround a fireplace.
I sit down and I put a cushion and can do it
It becomes the relaxation space.
After opening the door of the fireplace room
After opening a shoji, a glass door, a reed screen door
 
All orificial shojis and glass doors, screen doors
Because it is received in a wall
Space continues from the room to an open veranda, a garden,
A big sense of unity is born.
 
After classifying fire into a fireplace
After closing a shoji, a glass door, a reed screen door
Ceiling with the step before the fireplace
Thrust a step on the ceiling before the fireplace
I arrange the indirect lighting.
The ceiling where I knit bamboo into between the logs of the chestnut
I hang the log of the chestnut on the ceiling
I knit bamboo between.
In assigning indirect lighting to a ceiling
Thus, by gentle light brought about
I direct space.
 
Doorway
The doorway which reaches from a fireplace room to the private room
 
From a fireplace room to the private room
I go up two steps of stairs and enter.
Despite only two steps,
I am effective in keeping a feeling of expectation provoked to the other space.
 
Screen door using the reed
   Reed screen door       
Put a net on the reed degree   
I keep the duty of the screen door.
The high window shoji which performed a curve errand of bamboo
Eardrum on the corridor side
 
The eardrum of the draw shoji which performed a curve errand of bamboo
I direct space softly.

Fireplace

Fireplace of the plastering finish
The fireplace finishes it with plaster coat.
I burn firewood at the center,
The hole of both sides becomes the firewood place.
Place to set fire to
A place to actually classify fire into a fireplace
Let's show it to you.
The fireplace inside. Floor
1.So that air enters the floor at the outside
A lattice pig is established.
I put firewood on the lattice cover
2.I put firewood on the lattice pig.
The fireplace inside
3.I fire it

Private room

Private room of the fireplace ridge
The waist assumes it the gorota heaping up of the Ena rust stone,
Put a hut log in the ceiling
I assume it lodge-like natural space.
Window of the frosted glass
Two glass windows are to pull frosted glass in a circle
The effect of the eardrum is given.

Japanese-style room

After opening a Japanese-style room, a door fully
As well as a fireplace room
I assume a shoji, a glass door, a screen door all openings,
I direct a sense of unity with the garden.
A Japanese-style room. After closing a door
After closing a shoji, a glass door, a screen door
Japanese-style room doorway
To the wooden door of the Japanese-style room entrance
I incorporate a hit-and-miss window for the ventilation up and down.
Air-conditioner outlet
The upper Japanese-style room closet.
Outlet of the air-conditioner
Ceiling light lighting
Of the special order original design
A wickerwork ceiling and implantation lighting
Screen door of the reed
Put an insecticide net on the sliding door of reed
I use it as a screen door.

Corridor

Fireplace ridge corridor
I assume it wall hawarasusa nyudotoheki,
I establish the step and express a curve line.
 
The floor is a zelkova mook board.
The ceiling puts a reed board
A ceiling and the indirect lighting that a step arranged
Establish the step on the ceiling,
I assume it indirect lighting.

The water circumference

Bath
Bath
I pull frosted glass in a wave type
I take in the scenery of the garden beautifully.
Stripping washing face room
Washing face room
Both sides of the mirror are light lighting of the shoji
The top and bottom becomes the indirect lighting.
Restroom
Restroom
The breast wall puts pleioblastus simonii
Shoji of various designs
The shoji changes a design by a place
Apodyterium sliding door
Doorway
Doorway
In a traditional design
Put watermarks pattern
I attached an accent.
Ridge with the hearth

The appearance

I look at the ridge with the hearth from the southeastern side
I look at the hearth ridge from the southeastern side.
 
The roof of thatch becomes the shape of the hip roof
A thatcher is a young craftsman of Kyoto.
 
The ridge is copper sheet one character roofing.
The tiled roof of the roofed passage connecting buildings lengthens to the entrance.
 
I look at the hearth ridge from the south
I see it over a wall from south side road.
 
I see a roof of thatch from the red pine wood.
I look at the private room from a garden. I put up a round column catching the roof outward
I look at the private room from a garden.
 
Put up a round column catching the roof outside of a glass window
I remove the pillar of the glass corner.
It shows approximately 800 millimeters, thatched thickness
The thatched thickness is approximately 600 millimeters.
I cut the bottom of the eaves approximately horizontally
It shows the thickness approximately approximately 800 millimeters.
I look at the hearth ridge from a fireplace ridge
From a fireplace ridge in the depths of the roof of the front gate
I see the roof of the hearth ridge.
The beauty of the roof of the Japanese building
I was able to express it.
kokubunji* rino wood paneling, open veranda of the chestnut tree
I expose a lindera, and the breast wall holds the cleaved bamboo.
I ordered the lindera from Kyoto.
 
The open veranda is a chestnut tree.
Roof of thatch of the hearth ridge
I look at the eaves in front of the entrance from the bottom
I look at the eaves in front of the entrance from the bottom.
The bamboo of the thatched makeup Tal tree log and short dance
I give taste.
The round shape unpainted space on the wall seen as a window accentuates, too.

The entrance

The samurai residence-like entrance
The entrance with the expression stand
Establish the eardrum unpainted space on the wall seen as a window
I gave the softness in a solid structure.
Four pieces of sliding doors are finely-framed door style designs
Four pieces of sliding doors assume it a finely-framed door-like design,
I expressed the posture of the samurai residence.
Alcove ornament board of the Yaku cedar
The alcove ornament board of the entrance
I adopt the mook board of the Yaku cedar.
Gentle light of the indirect lighting
I directed it in this.
Ceiling of the entrance
Ceiling of the entrance
Black bamboo weight of the circle bush clover lead board

Hearth room

Hearth
Hearth room
 
Futoshi Matsumaru of the roof truss gives a solid feeling
A roof of thatch is lighted up by the indirect lighting.
 
After opening a shoji and a glass door of the south side
The hearth relationship that dug out the log of the zelkova
After opening a shoji and a glass door of the south side
 
 
After closing a sliding door of reed
After closing a sliding door of reed (screen door)
Snow-see viewing shoji
Snow-see viewing shoji
The curve part uses flat bamboo.
The pail which ran, and dug out a shoji and a log
Run; a shoji and a pail
 
I run, and the design of the shoji adopts a curve
I expressed the softness.
 
The pail dug out a log

Hearth

The fire shelf of the hearth. I use the strange tree of zelkova
Fire shelf of the hearth
 
I use the strange tree of rare zelkova
I surround a hemp rope in hanging hardware
I surrounded a hemp rope in hanging hardware and made up.
I look up at the hut log
I look up at the hut log
The hearth relationship of the zelkova log dig it out, and use materials. The tatami mat where there is no relationship in the floor.
The hearth relationship of the zelkova log dig it out, and use materials.
The tatami mat where there is no relationship in the floor.
A floor heater panel is spread under the tatami mat.

Private room

Window of the private room
I look at the garden from the private room
 
I lose the pillar of the corner,
It becomes the opening-like window.
The mountain hut-like design which was, and fitted a log in a wall and a ceiling
Fit a log in a wall and a ceiling
I assumed it a mountain hut-like design.

Japanese-style room

The courtyard in front of the main house in the Imperial Palace of the corner of the Japanese-style room. The wickerwork ceiling is lighted up with indirect lighting
Establish the courtyard in front of the main house in the Imperial Palace in the corner of the Japanese-style room
I give the space a change.
The ceiling central part assumes it a wickerwork ceiling,
I am lighted up with gentle light of the indirect lighting.
I assume the inferiority wall of the tokonoma a curve and express the softness
I bury it, and the lightener of the ceiling central part lights it up.
I assume the inferiority wall of the tokonoma a curve,
I expressed the softness.

Corridor

Corridor of the hearth ridge
The corridor which spreads out to the place equipped with a water supply
 
Establish the courtyard in front of the main house in the Imperial Palace in the section of the corner
I assumed it an accent.
A dressing table is seen in the front depths
The ceiling assumes it indirect lighting,
I fitted pleioblastus simonii in a wall surface between a curve line.
 
A dressing table is seen in the front depths.

The water circumference

Hearth ridge bathroom
Bathroom
 
A wall and the ceiling use a hinoki.
I use Maki Takano as a bathtub.
Bathtub of Maki Takano
I use Towada stone for a floor and a breast wall
Tea-ceremony room

Tea-ceremony room
Tea-ceremony room of the thatched hip roof roof
Rush ceiling
The inside is a four-and-a half-mat room. The ceiling which runs, and includes it.
I greatly located a shoji and had the bright space.
Tea-ceremony room cupboard
The cupboard inside
 
A ceiling is makeup Tal tree ceiling
Eardrum of the tokonoma
I establish the eardrum on the wall of the tokonoma
I was able to take in the green of the garden.
Tea-ceremony room of the evening landscape
Tea-ceremony room of the evening landscape
The front gate

The front gate roof is covering a roof with cypress bark
The front gate front
 
The hinoki skin Fukiya root
The craftsmen who dealt with cultural assets restoration dealt.
I look at the front gate from the southeastern side
I look at the front gate from the southeastern side
Front gate southeast side
The front gate is seen in the depths of the curved surface of the wall
An original gate. I am finished with naguri of the carapace of a turtle by tamo materials
The front gate door is finished with naguri of the carapace of a turtle by tamo materials
Thing by the door Toride iron writer
Toride is a thing by an iron writer
Ranma board of the mulberry
The ranma board did the strange tree of mulberry into a board form
I pull the saw of the front gate wood paneling chestnut tree and seem to finish it
The wood paneling of the side wall
I pull the saw of the chestnut tree and seem to finish it
I put the revolt of the front gate floor Ena rust stone and finish it with bibeautifulness
A stone of the floor is Ena rust stone.
Round ran* ride, a corner
I create the softness
Gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period

The gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period appearance
 
The gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period appearance
I look at the roof of the cryptomeria bark roofing from the garden of the north side
I put the large size revolt of the mikage stone
 
The floor puts the large size revolt of the mikage stone
Chair of the gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
 
I establish two places of benches of the zelkova board
Gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period roof
 
The hut log finishes it with chestnut materials naguri
The Tal tree becomes the radial makeup Tal tree
I look at the garden of the north side from a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
 
I look at the garden of the north side from a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
Gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period unpainted space on the wall seen as a window
 
I look at the roof of thatch from an eardrum
Gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
 
The gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
At a roofed passage connecting buildings with a roof
It leads to a hearth ridge and a fireplace ridge
I look at the gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period from a fireplace ridge
 
I look at the gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period from a fireplace ridge
Approach from the front gate to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
 
Approach from the front gate to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
Haircap moss of the approach to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
 
Approach to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
Off-and-on holidays and moss
Approach evening landscape to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
 
Approach evening landscape to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
I look at the fireplace ridge
Roofed passage connecting buildings

I look at the roofed passage connecting buildings over an earthen wall
 
I look at the roof of the roofed passage connecting buildings from the front gate
Roof of the roofed passage connecting buildings going up in spite of being a torsion
 
From a hearth ridge
I look at the fireplace ridge over the roof of the roofed passage connecting buildings
Ear fence of the black bamboo
 
Bamboo ear fence of the roofed passage connecting buildings side
Tiled roof of the roofed passage connecting buildings
 
Over the roof of the roofed passage connecting buildings
I look at the roof of thatch of the hearth ridge
The hut back of the roofed passage connecting buildings
 
Makeup Noji of the roofed passage connecting buildings
A ridge pole and a tie beam are naguri of the chestnut
Roofed passage connecting buildings
 
The roofed passage connecting buildings which spreads out from a hearth ridge to a gate built between the main gate and the main house of the palace-styled architecture in the Fujiwara period
Roofed passage connecting buildings floor 
 
The floor finishes it with mikage stone bibeautifulness
 
The finish of both side investigates color mortar
koetsukaki of the roofed passage connecting buildings side
 
koetsukaki of the roofed passage connecting buildings side
Wall

Use of piling-stones Mino stone
 
I look at the wall from the site southwest corner.
 
Make the square with each corner cut off of the corner big
A prospect is made better.
 
 
 
 
 
 
I dig out a wall in a circle and fit stained glass
 
I look at the roof of the hearth ridge over a wall
 
Dig out a wall in a circle
I fit stained glass.
The wall east side
 
The wall east side
 
Earthen wall-like design
Stone wall of the Mino stone
 
Stone wall of the Mino stone
The top of the stone wall becomes the passage
 
Wall southeast
The top of the stone wall becomes the passage
Roof

I look at the hearth ridge ono roof over a roofed passage connecting buildings
 
Over the roof of the roofed passage connecting buildings
I look at the roof of thatch of the hearth ridge
 
The thatch
It depends on a hand of craftsmen dealing with the restoration of cultural assets
 
 
 
 
 
Hearth ridge roof of thatch
 
Roof of thatch of the hearth ridge before the landscape gardening construction
This side covers a scouring rush; the back is thatch
 
A thatching the roof with shingles roof and roof of thatch of the north side
Hearth ridge roof
 
I look at the hearth ridge roof from the east side
Cover a scouring rush; the mawashi roofing of the hip
 
A down ridge part of the mokuzoku* (redness board of the cedar) roof
I finish it by mawashi roofing
Redness woodcut robber roofing of the cedar
 
Redness woodcut robber roofing of the cedar
A scouring rush, the back are thatch before a hand
 
I look at the hearth ridge roof from the north side
This side covers a scouring rush, the back is thatch
 
This side covers a scouring rush, the back is thatch
Typical Yamato district saddle roof
 
Thatching the roof with shingles roof of the fireplace ridge
 
The lower eaves of a house are copper sheet one character roofing
I look at the fireplace ridge roof over a covering a roof with cypress bark roof of the front gate
 
Over hinoki skin Fukiya root of the front gate
I look at the fireplace ridge roof
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